Tag: William Morrow

  • Book Review :: Razzmatazz by Christopher Moore

    Razzmatazz a novel by Christopher Moore book cover image

    Guest Post by James Scruton

    If you need a beach read to get you through high summer, look no further than Razzmatazz, Christopher Moore’s follow-up to his hilarious page-turner Noir. (Make it a full vacation and read both novels.) This time out, our hero Sammy, his main squeeze Stilton (don’t call her “the Cheese”), and their unlikely roster of demi-monde pals must dodge both gangsters and cops to solve a double murder, locate a rich nob’s runaway daughter, and retrieve a mysterious relic before even more chaos ensues in late-1940’s San Francisco. In true noirish fashion, most of the action takes place in the wee small hours, when, as Sammy relates, the fog has “swallowed the city like a damp woolen crocodile.” Zany, with devious plotting and enough wise-cracking dialogue to fricassee a Maltese falcon, Razzmatazz is another healthy serving of Moore’s signature recipe: equal measures of screwball comedy, hard-boiled mystery, and X-Files-like otherworldliness. (Don’t skip the “Afterword and Author’s Note.”)


    Razzmatazz by Christopher Moore. William Morrow, May 2022.

    Reviewer bio: James Scruton is the author of two full collections and five chapbooks of poetry as well as dozens of reviews, essays, and articles on poetry, fiction, and non-fiction.

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  • Book Review :: How High We Go in the Dark by Sequoia Nagamatsu

    How High We Go in the Dark by Sequoia Nagamatsu book cover image

    Guest Post by Kevin Brown

    Sequoia Nagamatsu’s novel, How High We Go in the Dark, doesn’t have a plot per se, as it reads more like an interconnected collection of short stories than it does a novel. A character’s wife from one chapter will show up in a later chapter as a friend to the girlfriend of another character, a minor characters in one chapter becomes the focus of a later chapter or vice versa. What the characters do have in common is a tenuous existence, as Earth has become less and less habitable. Throughout much of the book, a pandemic is ravaging the world, killing people by mutating their organ cells, causing hearts to behave like livers or brains to change into lungs. Even after that tragedy becomes more controllable, there is still environmental disaster, as wildfires rage constantly, the Arctic is quickly melting, and sea levels rise by feet, not by inches. What Nagamatsu is most interested in exploring, however, is how people avoid one another, even in the midst of suffering, and how they might still be able to connect to one another. Though technology — perhaps even space travel — could save people’s lives, only true connection has a chance of healing their souls.


    How High We Go in the Dark by Sequoia Nagamatsu. William Morrow, 2022,

    Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press).  He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. You can find out more about him and his work on Twitter at @kevinbrownwrite or http://kevinbrownwrites.weebly.com/.

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