Tag: Terrapin Press

  • Book Review :: House Bird by Robb Fillman

    House Bird by Robb Fillman book cover image

    Guest Post by Ron Mohring

    Reading the poems in House Bird by Robb Fillman, I’m struck first by the conditional, how often the poems express hesitation: “as if,” “almost,” “half-believing,” “grip of hesitation.”

    But it’s not doubt the voice expresses, but possibility:

    “Then I imagine / what I would do differently” (“Toast”)
    “He imagined the way he’d trail them” (“Summer Ending”)
    “I see / that what they were offered was not quite / real” (Doo Wop Dream”)

    This collection is deeply grounded in familial attachments, in parenthood and the small moments of daily life in and around the home (“My son’s hesitant Yes”) (“Promises”), moments made larger by Fillman’s attention, expanded by his imagination, so that what at first might seem tentative — “Probably by now, my friend / has recovered” (“Witness”) — reveals itself to be the product of close and sustained attention and imagination, the impulse to not only get it down, but to get it right. A fine debut.


    House Bird by Robb Fillman. Terrapin Books, February 2022.

    Reviewer bio: Ron Mohring is the founding editor of Seven Kitchens Press. His new poetry collection, The Boy Who Reads in the Trees, is forthcoming in 2023 from The Word Works

  • New Book :: Horse Not Zebra

    Horse Not Zebra book cover art

    Horse Not Zebra
    Poetry by Eric Nelson
    Terrapin Books, April 2022
    ISBN: 978-1-947896-54-3
    Paperback, 94pp; $17

    This newest collection of poems from writer and Georgia Southern University emeritus Eric Nelson captures the essence of everyday life through the lens of having been there, done that, and paid close attention. The title poem begins, “When med students are learning / how to diagnose symptoms, they’re told / think horse, not zebra – the common, no the exotic.” And though the subject matter may seem common by their titles, “My Alarm,” “Mulch,” “By Campfire,” and “Parade,” Nelson is able to lift these subjects up to the scrutiny of our own experiences, shared through his own, in ways that, while perhaps not exotic, resonate a sense of wholeness and completion. And there must be a story behind why bears appear repeatedly throughout.

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