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Open Editorial Positions Available at MAYDAY

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screenshot of MAYDAY's call for volunteer editors
click image to view PDF

magazine-news-MAYDAYEditorialPositionsAfter a year of rigorous expansion, online literary magazine MAYDAY seeks to share its updated format and expanded vision with new audiences. To do this, they are expanding and diversifying their editorial staff to include new intellectual and cultural backgrounds, experiences, perspectives, and points of view.

MAYDAY is a volunteer organization composed entirely of unpaid volunteers who can work anywhere in the world as long as there is an internet connection.

They are open to applications for production editors, social media editors, culture editors, translation editors, and visual arts editors through October 15, 2021.

Take a look at their redesigned site and content and consider joining their team. View the PDF for more information.

Carve’s Short Story Writing: Fundamentals Starts Monday, September 13

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And there’s still time to register! The Short Story Writing: Fundamentals class consists of five lessons: Character & Plot, Point of View, Dialogue, Inner Monologue, and Description. The best part is that each weekly lesson can be completed on your own schedule.

The lessons also include detailed explanations, examples, Carve short stories to read and respond to, and up to two short writing exercises. You are also expected to provide peer feedback to at least two other students (minimum of 5 students required for the class).

The class will run September 13 through October 21. If you’re interested, register here.

If you are interested more in help with Techniques, their next class for that starts October 25th.

The Boiler Under Pressure

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Online literary magazine The Boiler has an exciting interview series “Under Pressure.” This series highlights previous contributors and focuses on elements of craft and process – excellent reading for both writers and readers.

You can currently find interviews with Dana Alsamsam, Esteban Rodriguez, Kayleb Rae Candrilli, Jenny Molberg, Stephanie Cawley, Alyse Bensel, Dorothy Chan, Anthony Cody, Lena Khalaf Tuffaha, Marlin M. Jenkins, Todd Dillard, K-Ming Chang, Michael Torres, Dorsey Craft, Tatiana Ryckman, Alan Chazaro, Malcolm Friend, Sara Lupita Olivares, Roberto Carlos Garcia, Melissa Wiley, Jody Chan, Naima Yael Tokunow, Kelly Grace Thomas, and Jessica Abughattas.

“The Purpose of Translingual Poetry Centers on Going Beyond”: A Conversation between Haoran Tong and Ilan Stavans

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On August 17 literary magazine The Common featured a conversation between Ilan Stavans and Haoran Tong on poetry and the use of multiple languages. Besides talking on how language is used and how they consider it in their own work, you also get to learn how they grew up and learned their languages from it being completely natural with no dominance of one language over the other to acquiring a new language as being an invasion.

My English education, in contrast, focused more on practical dialogues than on literature. English was taught to me as a useful tool to acquire more knowledge, but Chinese was me. This probably explains my initial reluctance to use English elements in Chinese poems, or vice versa. Moreover, I seriously scrutinized my poems, out of guilt, for any “latinized” syntax that sounded “unChinese.”

Stavans and Tong also talk on “decidophobia” and how common it is now when in societies today choices are constantly demanded and their is always the underlying fear that you may make the wrong one.

Decidophobia is a common social trait, especially in capitalist societies: we are constantly demanding ourselves to make a choice. This, obviously, comes with the fear of making the wrong one. Is it possible to have too many choices before us? Should one try to avoid such a situation? Probably not.

And if you are interested in translation versus translingualism, Stavans and Tong have a lot to bring to the table on the subject as well: “Whereas translation tells, explains, or instructs, translingual writing shows, infuses and liberates.” Check out the interview in it’s entirety.

Masters Review Winter Short Story Award Winner & Anthology X Finalists Announced

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Phew, August has found The Masters Review making a lot of announcements.

First, they announced that Dean Jamieson is the winner of their Winter 2020-21 Short Story Award for New Writers. His winning story, “Straight to My Heart” can be read online. Plus, they also have an interview with Dean.

Corey Flintoff’s “Collection Of The Artist” took home second place. The story and an interview with Corey is also available.

Then they announced the ten finalists selected by guest judge Diane Cook for publication in The Masters Review Anthology X.

The Bird Rattle by Chelsy Diaz Amaya

Atlas, Bayonet, (War) Correspondence: An Abecedarian by Tanya Bellehumeur-Allatt

Limbs by Megan Callahan

Do Not Duplicate by John Darcy

Resurrection by Hilary Dean

Comfort Animals by Travis Eisenbise

Persimmon by Elissa C. Huang

All That Is or Ever Was or Ever Will Be by Eliana Ramage

A String of Lapis Beads by Greg Schutz

Sugar by Francis Walsh

And finally, they have announced that Nick Almeida’s Masterplans has won their inaugural chapbook contest. The book is forthcoming in Fall 2021 and you can read the titular story right now as a preview of what’s to come.

MFA at The Ohio State University Opening to Fall 2022 Applications in September

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That’s right! On September 1, The Ohio State University will begin accepting applications for their MFA program in creative writing. The deadline to submit applications is December 6 for domestic applicants and November 29 for international applicants.

All admitted students are fully-funded for the entire length of the three-year program and they also receive a graduate teaching associateship, a graduate school fellowship, or a combination of the two. The program also allows students focusing on fiction, nonfiction, or poetry to cross over into other genres.

Besides the workshops and tutorials, there are some other amazing opportunities for students. The program offers an Editors Panel, a public performance showcasing creative work by third-year MFA students called Epilog, two student-faculty readings each semester, Mother Tongue evenings where MFA students get to read their work to their peers, and a Native Craft Reading Series.

Check out all the program has to offer and start getting your application materials ready.

Test Your First Line Prowess!

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The First Line typewriterLiterary magazine The First Line recently realized they haven’t asked their readers and writers to supply first lines in a few years and decided to change that with The First Line 2022 First (and Last) Line Contest.

You have until September 15 at 6PM EST to submit up to three first lines and one last line. These must be original and unpublished. Those whose first or last line are selected will receive $100 and five copies of the issue inspired by their line. Pretty cool, huh? Oh, and there is no fee to enter!

Also, The First Line is giving away 22 one-year PDF subscriptions. All you have to do is enter you’re first and last lines and you’ll be put in the running for the subscription, too.

Michener Center for Writers Alumnus Success Stories

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The Michener Center for Writers recently shared some great success stories from graduates of their MFA program.

Nathan Harris’ debut novel The Sweetness of Water was chosen for Oprah’s Book Club. The book was released on June 15 from Little, Brown and Company and it has also been longlisted for the 2021 Booker Prize. It follows two brothers in the waning days of the Civil War as they are hired by homesteaders who have lost their own son in the war.

Plus, fiction alum Rachel Heng had her story “Before the Valley” published in The New Yorker. The story follows a woman in a senior-living facility in Singapore as she discovers something unexpected about the career of a fellow resident. New Yorker editor Deborah Treisman interviews Heng about the story and her inspiration.

This made me consider the various ways in which callousness and cruelty are built into our society, in the name of pragmatism or some other utilitarian goal, and the toll this can take on the vulnerable, the elderly, the forgotten.

The Michener Center for Writers is the “only MFA program in the world that provides full and equal funding to every writer.” The program is three years and fully funded. Writers are admitted in a primary genre and also study a secondary genre. There are no teaching duties so fellows can commit themselves fully to their writing. As of Fall 2020, they are no longer requiring GRE scores to apply.

Contemporary Writers Series at Mills College

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Mills College’s graduate programs in creative writing and literature present a “balance of traditional academic disciplinary training with cutting-edge work in new media, critical theory, and diverse cultural traditions.”

Not only do students have access to outstanding faculty, but they also become part of a greater writing community and get to produce and promote the college’s Contemporary Writers Series. This series features monthly readings and talks by emerging and renowned writers. All of these readings are free and open to the general public. During the 2020-21 academic year, these were held online.

Recent writers include Layli Long Solider (Chromosomory, Q Avenue Press), Melissa Valentine (The Names of All the Flowers, The Feminist Press at CUNY), mai c. doan (water/tongue, Omnidawn), and Aiden Thomas (Cemetery Boys, Swoon Reads).

January 15 is the priority deadline to apply for the fall semester. After that, they conduct rolling admissions on a space-available basis until July 15. The MFA in creative writing (poetry or prose) does also accept spring enrollment with an October 15 deadline.

Mills College and Northeastern University are currently making progress in making an alliance with one another.

Carve’s Short Story Writing: Techniques Class Begins August 2

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CARVE‘s next online group writing class will launch on August 2 and run through September 12. This is a six week course which includes five weekly progressive lessons building a greater understanding of craft. Each of the lessons includes detailed explanations and examples, readings from the CARVE archive, and short exercises. The creative writing exercises are shared by class participants for peer feedback.

Lessons include Use of Senses, Imagery, Metaphors & Similes, Rhythm & Pacing, and Threading.

With this online class there is no scheduled meetings or instructor-led feedback. Coursework is online and remote. There is still some time to enroll. If you’re a current print or digital subscriber to CARVE, you can receive a 10% discount.

Litowitz Creative Writing Graduate Program Opening to Creative Nonfiction & Fiction Applications in Fall 2021

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Northwestern Litowitz MFA+MA logoThe Litowitz Creative Writing Graduate Program will open to Fall 2022 applications this fall with the deadline date to be announced. They will be accepting applications in Creative Nonfiction and Fiction only. Poetry applications will be automatically rejected.

They will no longer require nor accept GRE scores as part of the application to the MFA+MA program. Besides the online application form, the department also requires supplemental materials including an official transcript from each institution attended, two-three letters of recommendation, a statement of purpose, a creative writing sample, and sample of writing on a literary topic.

The Litowitz Creative Writing Graduate Program MFA+MA in Creative Writing and English offers intimate classes, the opportunity to pursue both critical and creative writing, close mentorship by renowned faculty, and three fully supported years to grow and complete a book-length project.

Current faculty include Chris Abani (graduate director) and Eula Biss (visiting artist).