Our spring issue showcases the 2020 Open Season Award winners: Joshua Whitehead (cnf), Patrick Grace (poetry), and Ajith Thangavelautham (fiction). Also featured: Manahil Bandukwala, Ayaz Pirani, Christine Wu, Rob Taylor, Edward Carson, Matthew Gwathmey, Tania De Rozario, Hollie Adams, Emi Kodama, Bradley Peters, Kevin Shaw, Emma Wunsch, Glen Downie, and more. Find other contributors at the Mag Stand.
The Autumn issue of The Gettysburg Review is at this week’s Mag Stand. The issue features paintings by Jared Small, fiction by Jennifer Anne Moses, Jared Hanson, Darrell Kinsey, and Sean Bernard; essays by Andrew Cohen, K. Robert Schaeffer, and Christopher Wall; poetry by Jill McDonough, Max Seifert, K. A. Hays, Albert Goldbarth, Mary B. Moore, R. T. Smith, Jill Bialosky, Katharine Whitcomb, Corey Marks, Kimberly Johnson, Margaret Ray, Danusha Laméris, Linda Pastan, Christopher Bakken, Christopher Howell, and Margaret Gibson.
The latest issue includes poetry by Lisa Zimmerman, Sally Rosen Kindred, Jennifer Bullis, Carolyn Oliver, Andrea Potos, Michael McFee, Patricia Clark, Cathy Smith Bowers, and more. Art by Andis Applewhite. Find a full list of contributors at NewPages.
Palooka is an international literary magazine. For a decade we’ve featured up-and-coming, established, and brand-new writers, artists, and photographers from all around the world. We’re open to diverse forms and styles and are always seeking unique chapbooks, fiction, poetry, nonfiction, artwork, photography, graphic narratives, and comic strips. Free digital copies of back issues now available for a short time. Give us your best shot! Submissions open year-round. palookamag.com
This issue includes short stories by and interviews with Ashley Hand, Chris Vanjonack, Reece McCormack, and David J. Wingrave; poetry by Kimberly Thornton, Andrew Szilvasy, Bruce Lowry, Ryan Meyer, and Jose Hernandez Diaz; and nofiction by Gregg Williard and Greg Oldfield. See what else is offered in this issue at the Mag Stand.
Find the Spring issue of The Baltimore Review at NewPages. It features poems, fiction, and creative nonfiction by: John Blair, Shevaun Brannigan, Naomi Cohn, Jeannine Hall Gailey, Katherine Gekker, Matthew Henry, R. Dean Johnson, Yume Kitasei, Andrew Kozma, Avra Margariti, Rita Mookerjee, Glen Pourciau, Ellen Skirvin, David Urbina, and M. Drew Williams.
The May 2020 issue is here with poetry by Jenny George, Arthur Sze, Jessica Abughattas, Melissa Crowe, Jamaica Baldwin, C.X. Hua, Kara van de Graaf, Hala Alyan, Mark Wunderlich, Raymond Antrobus, Stephanie Chang, and more; prose by Scott Broker, Alyssa Proujansky, Maura Pellettieri, and Mina Hamedi, with a prose feature by Dima Alzayat. See what else the issue has in store for you at the Mag Stand.
Every year, the University of Arkansas Press accepts submissions for the Miller Williams Poetry Series and from the books selected awards the $5,000 Miller Williams Poetry Prize in the following summer. For almost a quarter century the press has made this series the cornerstone of its work as a publisher of some of the country’s best poetry. The series is edited by Patricia Smith. The deadline for the 2022 Prize is September 30, 2020. Jayson Iwen’s Roze & Blud, published in March 2020, was the winner of the 2020 Miller Williams Poetry Prize. For more information visit uapress.com.
Now in it’s 5 year, The Blue Mountain Review was launched from Athens, Georgia in 2015 with the mantra, “We’re all south of somewhere.” As a journal of culture the BMR strives to represent life through its stories. Stories are vital to our survival. Songs save the soul. Our goal is to preserve and promote lives told well through prose, poetry, music, and the visual arts. Our editors read year-round with an eye out for work with homespun and international appeal. We’ve published work with Jericho Brown, Kelli Russell Agodon, Robert Pinsky, Rising Appalachia, Nahko, Michel Stone, Genesis Greykid, Cassandra King, Melissa Studdard, and A.E. Stallings. www.southerncollectiveexperience.com/submission-guidelines/
Submissions open for flash fiction of no more than 800 words and prose poems. Send powerful yet subtle pieces. Send strong voices. Send dreamy words that don’t gush. Skate on the edge of realities. Club Plum also seeks art: Please send one image only of pen-and-ink line art, watercolor, bold colors, experimental work, collage, impressionistic or abstract pieces. Tell the editor about your piece. The editor will pass on photography. See clubplumliteraryjournal.com for details.
The Spring 2020 Issue of The Bitter Oleander includes a special feature. Editor Paul B. Roth interviews poet David Chorlton. Readers can also find a selection from Chorlton’s Speech Scroll. Below, check out an excerpt from the interview and visit The Bitter Oleander website to get a taste of Speech Scroll.
PBR: In your Speech Scroll, a sampling of which follows this interview, you’ve put the urban and the desert world together so expertly over some 158 poems. Did this particular project start off with that in mind or was it just your current ongoing consciousness of where you were in that environment and who you are that brought it forth?
DC: . . . While there are the times I sit down to commit words to paper, the actual writing of poetry is never turned off. Without placing a title or thinking of a poem’s shape, I had an ongoing path to follow and that helped me shift a little in the way I see images come together. Thinking about the political happenings of our tumultuous time might become too consuming, and for some people it is. Others seem to remain oblivious to anything that goes on in that realm. Writing poetry, being the most natural form of communication for me, has been a good place in which to scatter comments and observations that, I hope, provoke more thought than argument. Life encompasses a wide range of pleasures and frustrations, comfort for the fortunate and responsibility toward those who are not, and so with the help of various bird and animal species, plus a view of the sunrise from our front door when I’m up early to see it I take, as I mentioned earlier, what is given, and transform it the best way I can.