Driftwood Press

The Convert’s Heart is Good to Eat
Poetry by Melody S. Gee
Driftwood Press, June 2022

Melody S. Gee’s The Convert’s Heart is Good to Eat meets at the intersection of cultural and spiritual identity, culminating in a set of harrowing poems that investigates how belief defines us. Melody S. Gee is the author of The Dead in Daylight (Cooper Dillon Books, 2016) and Each Crumbling House (Perugia Press, 2010), winner of the Perugia Press Prize. She is the recipient of Kundiman poetry and fiction fellowships, two Pushcart Prize nominations, and the Robert Watson Literary Prize. Her poems, essays, and reviews appear in Commonweal Magazine, Blood Orange Review, Lantern Review, and The Rappahannock Review. She is a freelance writer and editor living in St. Louis, Missouri with her husband and daughters. An excerpt from the collection:

THE CONVERT DESIRES HER WAY INTO A FIRST PRAYER

Her mother’s first lesson
was chew your wants and spit
the pulp, grow skinny feeding everyone else your flesh.
A heart’s cargo is sometimes oil, sometimes crude. A spill can undo
the waterproof of any surface.
And still the diving birds must feed,
must point their beaks past the slick that seals the cornea to eternal blur.
Does the Lord ask her what she wants when he already knows its name?

Bath
Poetry by Jen Silverman
Driftwood Press, May 2022

Winner of the Driftwood Press 2021 Adrift Chapbook Contest, Silverman’s work was selected for its geographical and lyrical style, with poems that “communicate harrowing insights into the landscape of relationships.” Jen Silverman is a New York-based writer and playwright. She is the author of the debut novel We Play Ourselves and the story collection The Island Dwellers (Random House) which was longlisted for a PEN/Robert W. Bingham Prize. Jen also writes for TV and film.

Big Gorgeous Jazz Machine
Graphics and Poetry by Nick Francis Potter
Driftwood Press, March 2022

This is a collection of experimental graphic works and comics poetry. It includes more traditionally-minded comics (with a lyrical bent) with abstract and conceptual works, including text-based comics and comics inspired by modernist abstractions. Taken together, the work finds kinship with contemporary avant-cartoonists like Warren Craghead, Aidan Koch, and Simon Moreton, while striking out toward something altogether new. Nick Francis Potter is a writer, cartoonist, and educator who holds an MFA from Brown University and a PhD in English from the University of Missouri, where he currently teaches writing and theory in the Digital Storytelling Program.

O
Poetry by Niki Tulk
Driftwood Press, July 2022

Chosen as one of three manuscripts for publication from their 2020 poetry collection reading, writer and performance artist Niki Tulk’s O explores the aftermath of sexual assault, unearthing myths, folklore, and profound truths about our collective history of violence, womanhood, and justice. Niki Tulk is an ex-pat Australian and experimental theatre-maker, improviser, writer, poet and author of Performing the Wound: Practicing a Feminist Theatre of Becoming (Routledge, 2022).

One Person Holds So Much Silence
Poetry by David Greenspan
Driftwood Press, March 2022

Chosen as one of three manuscripts for publication from their 2020 poetry collection reading, Greenspan’s work explores the intersection of physical and emotional traumas and was selected for its “surprising, jaw-dropping language from poem to poem.” Simultaneously lush and bizarre, the poems culminate in a striking deep dive into the pain and experiences of existing within a body. From self-harm to suicidal ideation, Greenspan tackles these topics through writing brimming with original language and wrought empathy. David Greenspan is a PhD candidate in Creative Writing at the University of Southern Mississippi and earned an MFA in Poetry from UMass Amherst.