Guest Post by Kevin Brown
Michelle de Kretser’s novel tells two stories, one narrated by Lyle, the other by Lili; which one you read first depends on which side of the book you begin with. Neither story has an intricate plot: Lili’s follows her year as a teacher at a high school in France, while Lyle’s tells about his experience in an Australia in the not-too-distant future. While the two narratives seemingly have nothing to do with one another, they are held together by the question of who or what the scary monsters are. Both main characters are not native Australians, having relocated from what sounds like a Southeast Asian country, Lili when she was younger and Lyle as an adult. These monsters could simply be those who look down on them for their racial and ethnic difference. De Krester explores that idea, but she has broader concerns. Lili struggles with the daily fears of being a woman in a patriarchal society; though nothing violent happens to her, she knows it could. Lyle’s skin is slowly changing to white, a representation of the sacrifices he’s made to assimilate, possibly becoming a monster himself. Ultimately, the systems of power that go unnoticed are the monsters underneath the proverbial beds of the main characters and perhaps the readers, as well.
Scary Monsters: A Novel in Two Parts by Michelle de Kretser. Catapult, April 2022.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. Twitter @kevinbrownwrite or kevinbrownwrites.weebly.com/.