The Driftwood Press editors just released this news: “We’re so excited to announce that Driftwood Press is transforming from a bi-annual literary magazine to an annual anthology. This change has been in the works for a long time, and we can’t wait to bring our readers over 200 pages in full color on a yearly basis, with our first anthology due out March 7, 2023!” The editors promise status quo on great content, just more of it, including stories, poetry, comics, interviews, and more. Subscription options will also reflect this change, and there is still one more biannual issue due out on July 1, which can be preordered here.
This book is not new, so what you get is not new fiction as the title suggests. New Fiction from New England was published in 1986 by Yankee Books in Dublin, New Hampshire. Twenty-nine stories and not a clunker in the bunch. All were originally published in Yankee Magazine back when Yankee published stories (fiction). It no longer does, and it is lesser in my opinion as a magazine for no longer doing so. The editor then was Deborah Navas, a skillful writer in her own right.
If you’re looking for variety, and solid storytelling, you will get it here, in abundance, that is if you can find a copy. But do try!
Online literary magazine Brilliant Flash Fiction has released is second print anthology! Branching Out: International Tales of Brilliant Flash Fiction is a collection of stories – all 300 words or less. These unique tales will entertain you while inspiring your own writing.
The anthology includes authors from Australia, Canada, England, India, Ireland, Malta, New Zealand, Nigeria, the Philippines, Scotland, and the United States.
Want a copy? Submit a $12 donation via the button on their homepage.
Madville Publishing has two open calls for submissions! The Muddy Backroads short story anthology closes August 15, 2021, and the Arthur Smith Poetry Prize closes September 1, 2021. Find out all the information on our website.
The Powow River Poets are a gathering of widely published, award-winning New England Poets, centered in Newburyport, Massachusetts. Their members are also from the Boston area and as far away as New York and Maine. 27 of these writers, including Rhina P. Espaillat, A.M. Juster, and Deborah Warren, are represented in the second edition of this anthology.
The reading is hosted by anthology editor Paulette Demers Turco and features Rhina P. Espaillat, Michael Cantor, M. Frost Delaney, Jean L. Kreiling, Alfred Nicol, and Anton Yakovlev. There will also be a Q&A session with the editor and authors.
Deadline: Rolling 50 Give or Take daily delivers micro-fiction of fifty words or less straight into your inbox. Please subscribe (it’s free!) to get an idea of what is published, before submitting your work. All accepted 50 Give or Take pieces will be published in a print collection at the end of every year, starting in 2021. All you have to do is submit your: 50-word story, one-line bio, website or social media URL, and a vertical photo of yourself to 50giveortake@vineleavespress.com. Good luck!
The MFA Program in Creative Writing at Chatham University and literary magazine The Fourth River have announced the creation of the Jeffrey “Boosie” Bolden Series. The first publication will be a special anthology called Black Visions. This anthology was conceived of and will be edited by the MFA Emerging Black Writers in Residence Cedric Rudolph and Caitlyn Hunter along with alums Samantha Edwards and Nicole Lourette.
About this anthology: Are you a black writer, or a writer who is black?
Black artists everywhere are all too familiar with this question and label on their work. Why are Black artists always called upon to write about the Black experience, about Black pain? Where are the discussions about craft, form, and futurisms? This anthology was born out of the need to create more space for Black voices; all Black voices. We want to see how your medium amplifies your voice and who you are as an artist, without the limitations of formality, genre, or subject. We are looking for the musicality, depth, and vibrancy that is Black art.
The anthology is accepting submissions through 11:59 PM on Friday, June 18 with expected publication in fall of this year.
The series is named after Chatham MFA alum and former Fourth River editor Jeffrey “Boosie” Bolden who refused to write prose or poetry restricted by genre and pushed himself to create hybrid flows fusing prose and rap. His mixtape-memoir Wolves was released in November 2020 after his passing in June of 2020.
There is no fee to submit to this anthology and accepted writers will receive a copy of the book and $50 honorarium.
Deadline: August 16, 2021
Founded in 2020, Nobody’s Home: Modern Southern Folklore is a work-in-progress online anthology of creative nonfiction works about the prevailing beliefs, myths, and narratives that have driven Southern culture over the last fifty years, in the late 20th and early 21st centuries. The anthology is collecting personal essays, memoirs, short articles, opinion pieces, and contemplative works about the ideas, experiences, and assumptions that have shaped life below the old Mason-Dixon Line since 1970. www.modernsouthernfolklore.com
Deadline: Rolling 50 Give or Take daily delivers micro-fiction of fifty words or less straight into your inbox. Please subscribe (it’s free!) to get an idea of what is published, before submitting your work. All accepted 50 Give or Take pieces will be published in a print collection at the end of every year, starting in 2021. All you have to do is submit your: 50-word story, one-line bio, website or social media URL, and a vertical photo of yourself to 50giveortake@vineleavespress.com. Good luck!
Fix the Future with Fiction and Win $8,700 in Prizes and Publication
Deadline: April 12, 2021
Fix, Grist’s solutions lab, is launching a new climate-fiction contest, Imagine 2200: Climate Fiction for Future Ancestors. Imagine calls for short stories envisioning the next 180 years of climate progress, judged by renowned authors Adrienne Maree Brown, Morgan Jerkins, and Kiese Laymon. The top contest winners will be awarded $3000, $2000, and $1000 respectively, and nine finalists will receive a $300 honorarium. Winners and finalists will be published in an immersive digital collection. We want to see—and share—stories that bring into focus what a truly just and regenerative future could look like. Submit your story by April 12 at grist.submittable.com/submit and contact us at imaginefiction@grist.org.