Guest Post by Kevin Brown
Emily St. John Mandel takes the reader through locations that range from the woods of British Columbia to colonies on the moon and through times that move from 1912 to 2401. Her story follows several characters: Edwin, the youngest child in a British family who will inherit almost nothing and who is exiled to Canada after he questions England’s role in India; Gaspery Roberts, a hotel detective who takes on a case with implications he could never imagine; and Olive Llewellyn, a novelist on a book tour for her work about a pandemic in a world where such tragedies happen more and more frequently. Mandel draws on her experience for the last character, as readers and critics have seen her Station Eleven as prescient in its portrayal of a much worse pandemic than our current one. She draws on questions and comments from her book tours for some of the more humorous parts of the novel. Overall, however, she’s interested in larger questions of time and reality, even exploring whether or not the characters’ world — and, thus, our own — is nothing more than a simulation. If so, though, she seems to say that doesn’t make it any less meaningful.
Sea of Tranquility by Emily St. John Mandel. Alfred A. Knopf, April 2022.
Reviewer bio: Kevin Brown has published three books of poetry: Liturgical Calendar: Poems (Wipf and Stock); A Lexicon of Lost Words (winner of the Violet Reed Haas Prize for Poetry, Snake Nation Press); and Exit Lines (Plain View Press). He also has a memoir, Another Way: Finding Faith, Then Finding It Again, and a book of scholarship, They Love to Tell the Stories: Five Contemporary Novelists Take on the Gospels. You can find out more about him and his work on Twitter at @kevinbrownwrite or at http://kevinbrownwrites.weebly.com/.