Katy Haas

Guest Post by Cindy Dale.

Air France 006, Paris to New York. The seatbelt sign comes on. The captain calmly announces, prepare for a little turbulence.  More than a little it turns out. If you’ve ever been on a flight where you questioned if the plane would successfully land, you know the feeling. I don’t profess to have completely unraveled (or made sense of) all the threads of this book, but I enjoyed the ride.  Part sci-fi, part political thriller, part philosophical treatise, The Anomaly by Hervé Le Tellier was a huge bestseller in France and won the Prix Goncourt.

It took a bit for the puzzle pieces to fall in place for me, but once the catalyst for these disparate stories was revealed the novel picked up speed. Apparently, the same flight with the same crew and the same passengers landed twice—four months apart.  Ultimately, we follow the fates of eleven passengers (and their clones)—from a contract killer to a film editor to the author of a novel called, you guessed it, The Anomaly. There are references to everything from Martin Guerre to Elton John to Nietzsche. Quotes from War and Peace, Romeo and Juliet, and Ecclesiastes. Sandwiched in there is the American government’s ham-fisted response to the mysterious second landing.

I confess to getting a little lost in some of the mathematical and astrophysics tangents, but the reader is drawn into the personal stories of the passengers (and their clones).  What would you say if confronted with an exact doppelgänger of you, right down to the same memories, the same secrets, the same neurosis? Definitely existential, but also humorous and with quite a few quotable lines. You may not be able to board a flight and go on an exotic adventure these days because of Covid, but you can take off on a wild ride from the comfort of home with The Anomaly.

The Anomaly by Hervé Le Tellier. Other Press, November 2021.

Reviewer bio: Cindy Dale has published over twenty short stories in literary journals and anthologies. She lives on a barrier beach off the coast of Long Island.

Guest Post by Julia Wilson.

Elizabeth McCracken is one of my favorite authors, primarily for her graceful blending of mundane realities with imaginative and unusual details, thus painting seemingly humdrum lives sparkling with the unexpected.

Bowlaway is no exception. Ostensibly a story about generations of an extended family living in a small town, McCracken’s odd characters are mixes of humorous, pathetic, lonely, yearning, creative, frail, damaged, liberated, secretive, selfish, and loving. They are mysterious and perplexing, not necessarily likeable but compelling. The book starts with a woman, Bertha Truitt, being found unconscious in a cemetery, without explanation. Thus begins the family saga of the Truitts, who own a bowling alley in the northeastern town of Salford.

But the real story in Bowlaway is the complexities of relationships, primarily marriages. In McCracken’s smooth sentences and use of an omniscient narrator, the reader is witness to weaknesses, loyalty, secrets, misunderstandings, and resignation. The partners in these relationships don’t have much eagerness in looking forward to the future yet have found a reality they can tolerate, containing both joy and heartache. There is tenderness between a woman and her mother-in-law, compassion of a wife in the face of her husband’s alcoholism, a recluse’s love for a mourning mother, and the relief of the few who escape the dreary life in Salford.

McCracken is at her best painting the facets of her characters so they come alive to the reader. They are flawed, self-interested, confused, and searching—as are we all.

Bowlaway by Elizabeth McCracken. Ecco, November 2019.

Reviewer bio: Julia Wilson is an MA in Writing student at Johns Hopkins University