The art of John Belue dons the cover and pages of the Fall 2020 issue of Creative Nonfiction, and I absolutely love it. His work remixes vintage photos, thinly cut strips overlaying another photo to create an almost portal-like image. The art drew me into the “Memoir” issue of Creative Nonfiction and the writing made me stick around even longer.
Megan Doney’s nightmares haunt her after a shooting at the school where she teaches in “The Wolf and the Dog.” While her dreams leave her powerless, she imagines finding power if the situation ever happens again. The piece begins viscerally, a dark view into Doney’s mind after surviving a horrific event.
Mary Beth Ellis gets deeply personal in “Weaponry of the Cold War” as she walks readers through her vaginismus diagnosis. While the subject of her writing is both physically and emotionally painful, Ellis uses humor in unexpected places, her writing cynical and skeptical, light when it matters. As Ellis says, up to 14% of the female population suffers from vaginismus, and there is not much to read about the subject. Ellis adds her voice, her story, giving other people with vaginas something to relate to.
Whether you pick up Creative Nonfiction‘s latest issue because the art caught your eye, or because you crave powerful nonfiction, you will not be let down.